Everything But The Weed

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Linda Maze, a Wedding photography Gainesville FL in Gainesville Florida

Just about all singing teachers agree that both males and females have “head voice” as aspect of their sound. This term applies to the technique the vocal cords vibrate and get the job done when we sing high notes. I will go into the mechanics of the vocal cords in an additional post and in my courses, still for now let’s just simply recognise that two strips of membrane in our larynx (adam’s apple) we call vocal cords vibrate against each other, turning air from our lungs into sound. For lower sounds (the chest voice) the full length or the cords is utilized for the action. Given that higher sounds will need smaller, shorter or thinner vibrations (think how a harp looks) the vocal cords should change in shape and size so that you can make high notes.

As we sing higher notes our two vocal cords move closer together and start to do so what is known as the “zipper effect”. Higher notes call for a smaller opening for the air to go through, so a reasonable miracle develops as the cord begin to “zip” up, leaving a smaller and smaller opening. (Think of so what on earth a clothing zipper looks like as it zips up.)

So, as soon as you think about it, it really should take less air stress to sing the high notes than the low ones, and it does. For low notes there is a big opening among the cords where you may pass tons of air through without quite a lot of stress. And the high notes demand a smaller opening regarding the cords. This smaller opening lets less air to pass through without stress and anxiety. When we attempt to push too much air strain (volume) through the cords for higher notes we cause them to perform also hard resisting the additional air. This produces an overly-fat, amateurish sound which sounds forced and difficult.

When we sing higher we “feel” we must perform harder to buy those notes through. In fact, we would be smart to back off some, feel the sound higher in our head, letting it thin like the higher notes of the piano or guitar.

Attempt singing a sweeping continuous “ah” or “uh” vowel, starting at your lowest note and “sweeping” or sliding the continuous sound up to your highest notes. Notice that you’ll probably access a point when it seems you can easily go no higher. Lighten your sound there and start off to let it thin and feel higher in your head. Guys, if you go into the falsetto that’s ok for now. Let you voice do what exactly it needs to do. Girls you’ll probably really should try to move into your head voice at some point. That’s ok. Simply keep going, attempting not to strain.

Do this exercise usually, paying notice to how the higher notes feel. Are you pushing and straining, or are you just simply letting it sweep on up?

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